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You know the problem with HollywoodΠ

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They make shit. Unbelievable,
unremarkable shit.

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I'm not some wannabe filmmaker...

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...searching for existentialism through
a haze of bong smoke.

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No, it's easy to pick apart bad acting,
shortsighted directing...

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...and a moronic stringing-together
of words the studios term as prose.

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No, I'm talking about
the lack of realism. Realism.

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Not a pervasive element
in modern American cinematic vision.

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Take Dog Day Afternoon, for example.
Arguably Pacino's best work.

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Short of Scarface and
Godfather Part I, of course.

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Masterpiece of directing,
easily Lumet's best.

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The cinematography, the acting,
the screenplay, all topnotch. But...

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...they didn't push the envelope.

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What if, in Dog Day, Sonny wanted to
get away with itΠ Really wanted that.

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Now this is the tricky part. What if
he started killing hostages right awayΠ

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No mercy, no quarter.

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"Meet our demands or the pretty blond
gets it in the head. " Bam, splat.

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What, still no busΠ Come on.

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How many innocent victims would it take
for the city...

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...to reverse its policy
on hostagesΠ

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And this is 1976. There's no CNN.
There's no CNBC. There's no Internet.

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Fast-forward to today.
Present time, same situation.

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How quickly would the media
make a frenzyΠ In hours.

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It would be the biggest story from
Boston to Budapest.

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Ten hostages die.

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Twenty, thirty.

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Relentless. Bam, bim.
One after another.

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All on hi-def, computer-enhanced.
You can almost taste the brain matter.

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All for whatΠ A bus, a planeΠ

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A couple million dollars
that's federally insuredΠ

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I don't think so, but...

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...just a thought.

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I mean, it's not...

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...within the realm of
conventional cinema, but...

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...what ifΠ

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- There's a problem with that movie.
- ReallyΠ

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- It wouldn't work.
- How comeΠ

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- Audiences love happy endings.
- Pacino escapes with the money.

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Boyfriend gets a sex change.
Live happily ever after.

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- NoΠ
- No.

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[...]
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