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So I spent the night at Todd's.

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You remember Todd, right? The bass player with the big hands.

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Big nimble hands.

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Angela, I'm trying to piece together a skull.

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You're doing a great job.

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So I wake up this morning and he's sitting there

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right, no clothes on, just his bass

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singing to me in this low, low voice...

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It was creepy.

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Angela, is this conversation really appropriate here?

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Sorry, but I'm into alive people.

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Anyway, Todd has a friend...

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I thought you said he was creepy?

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Todd, not the friend.

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Good news.

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I hope this is work-related.

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The anthropology journal is publishing our piece

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on the evolution of the coronal suture.

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A worthy interruption.

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You're supposed to bump my fist with yours.

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Why?

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I'm told it's a widely acknowledged gesture of mutual success.

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I love it when you two impersonate earthlings.

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Okay, now, this is weird.

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There's some guy in the lounge who asked me to give you this.

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Is he alive? Because that is an excellent start to a relationship.

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I didn't put a mirror underneath his nose or anything.

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He said you'd know who he was when you opened it.

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Okay, a guy who gets her to stop working.

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This I have to see.

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You left it at my place.

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Three years ago.

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First time I've been in Washington. Thought I should return it in person.

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Why didn't you tell me you were coming?

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What if you didn't take my call?

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You're a big important author now.

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You could come down here, you know.

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You can come up.

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Halfway.

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As always.

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I hope you don't have any expectations.

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Do you?

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Civility.

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I can handle that.

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So why are you here?

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George Washington university wants to talk to me

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about heading their anthropology department.

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