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At 11:00 pm in San Francisco,
the city beds down.

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At the international airport,
a film company moves out on Runway 5.

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The work is dangerous.

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Three weeks later, north of the city,
a man wrestles his machine to abandon.

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He started in films as an actor.

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Today, he's more involved,
deeply concerned with life...

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deeply concerned as a filmmaker.

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He's Steve McQueen,
and the film is Bullitt.

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In the beginning, we felt that
we should start off working...

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in close harmony at a racetrack,
so that Bill Hickman and myself...

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would be used to working
close to each other at high speed.

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So we went out to Cotati Raceway
up above San Francisco...

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and worked at high speeds
at well over the ton mark.

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Highly-bred cars are capricious.

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The men who drive,
like Hickman and McQueen...

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are sensitive to every twitch of the wheel.

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They react with strength
and pinpoint timing.

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It was very hairy and that's something
that I want to do real quick.

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Steve McQueen works by instinct, reflex,
unconsciously concealed knowhow.

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Above all is his reverence to authenticity.

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This is the story
of his commitment to truth.

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The electric atmosphere
of the city's biggest, busiest hospital...

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is given an extra jolt...

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when one of its wards turns into a
location for the Solar production ofBullitt.

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The thing we tried to achieve
was not to do a theatrical film...

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but a film about reality.

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So we did shoot, actually, in a hospital...

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and instead of using actors for doctors,
we used doctors.

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Instead of using actresses for nurses,
we used nurses.

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Three men on a hospital bed probe reality;
writer Kleiner...

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Steve McQueen...

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and director Peter Yates.

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Steve digs into characters...

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in such a way as to bring up
an original way of portraying an emotion.

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I mean he really works like mad
to find a way...

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which is right for him,
which he can believe in.

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Peter Yates also finds Robert Vaughn
as another of the new breed of actor...

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who digs into a character
to bring out an emotion.

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[...]
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