Preview Subtitle for The Genius Of Photography


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Photography today looks like this...

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But it also looks like this...

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And this...

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And this...

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And this...

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This programme contains
some strong language.

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And of course
it looks like this too.

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80 billion photographic images
will be taken this year alone.

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Lot number six. Photography also
looks like this. One million.

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An object of desire for dealers,
collectors and hedge fund managers.

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At 2,400,000.

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Today, photography is not only
worth bidding for,
it's worth fighting for.

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Cynical, voyeuristic, exploitative.

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all these were the
words that I heard.

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And it's also worth faking for.

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I was told that it
was one of two prints.

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Then there was another,
then there was another one.

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And they all looked the same.

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This is a snapshot of
photography in the digital age.

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Diverse, ubiquitous, valuable
and technologically advanced.

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But like any good snapshot,
there's more going on here
than meets the eye.

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The medium has never been
more widely appreciated
or more eagerly exploited.

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But what does it mean to
be a photographer todayΠ

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And what is a photograph
really worth these daysΠ

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Into the garbage.

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On Main Street in Pittsfield,
Massachusetts,

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lights are being rigged,
props are being positioned

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and the talent
are taking their places.

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Let's get...let's get Larry.

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Let's get Larry in the car.

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OK, clear frame.

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We got lights inside
the car, we can still...

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It looks like a movie, sounds like
a movie and smells like a movie.

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But it isn't.

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All of this activity
is to make a single photograph

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by Gregory Crewdson.

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Neil, I'm ready for...

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I work with a production
crew that all come out of film.

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We work with cinematic lighting.

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but we're only after creating
one single and perfect moment.

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Not...not the car track.

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Try to clear all those tracks,
as much of those as you can.

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Crewdson even has his own
[...]
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