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We're lucky. In the fourth season of a TV
show, you rarely get to build a whole new set.
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So we had to come to this new building.
We never had a great exterior of CTU.
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So, close by there's this building
that has these beautiful feet.
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And so I thought,
"Well, if we used that as the exterior of CTU,
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and then I took that architecture
inside into the set...
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would be a good starting-off point. "
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I was stuck from the pilot with
the original CTU they shot at FOXSports.com.
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And although we then built
that whole set on stage
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and brought some more
hi-tech elements into it,
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I was stuck with the orange and, you know,
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after three years
we were all pretty sick of the orange.
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Spatially, the old CTU worked great.
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So it's basically the same layout.
The ceiling is only at 20 feet.
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So it's just trying to fit
two storeys in that space.
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And again, because it's not a regular
studio stage, we don't have any greenbed,
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so I wanted to build
a platform all the way round
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so the DP could get around, to help him light.
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We had metal steps last year and all the wires,
and there was always...
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with our platforms
there was a problem with sound.
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So this year I've designed
these concrete steps.
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Hopefully they won't make too much noise.
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So, yeah, when I design something,
I try to take care of everybody.
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There are limits because
otherwise I end up pleasing everybody,
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and we don't end up
with a set that looks cool.
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The stripes on the windows,
the frosting, we've put that in again.
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One, because it helps us with sort of hiding
behind things and shooting through the gaps.
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I've changed them this time. They're not just...
We've actually done a bar code.
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It's all in code,
and I'll never tell anybody what it says, but...
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So what's the bar codeΠ
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- It just says lots of things.
- Come on.
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- Well, no, this is my secret.
- Give it up.
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One of them's just my name.
It's just "Joseph Hodges" on one of them.
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Yeah, no, it's all in code.
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I love racecars. I love Formula One.
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Lots of the sets are based on
color schemes of cars.
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Last year the NHS was the Renault -
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