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This is the story of a man,
marked by an image from his childhood.

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The violent scene that upsets him,
and whose meaning he was to grasp only years later,

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happened on the main jetty at Orly,
the Paris airport,

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sometime before the outbreak of World War III.

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Orly, Sunday. Parents used to take their children there
to watch the departing planes.

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On this particular Sunday,
the child whose story we are telling

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was bound to remember the frozen sun,
the setting at the end of the jetty,

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and a woman's face.

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Nothing sorts out memories
from ordinary moments.

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Later on they do claim remembrance
when they show their scars.

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That face he had seen was
to be the only peacetime image to survive the war.

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Had he really seen itΠ

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Or had he invented that tender moment
to prop up the madness to comeΠ

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The sudden roar,
the woman's gesture,

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the crumpling body, and the cries of the crowd
on the jetty blurred by fear.

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Later, he knew he had seen a man die.

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And sometime after came the destruction of Paris.

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Many died.

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Some believed themselves to be victors.

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Others were taken prisoner.

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The survivors settled beneath Chaillot,
in an underground network of galleries.

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Above ground, Paris,
as most of the world,

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was uninhabitable,
riddled with radioactivity.

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The victors stood guard
over an empire of rats.

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The prisoners were subjected to experiments,

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apparently of great concern
to those who conducted them.

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The outcome was a disappointment for some
- death for others -

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and for others yet, madness.

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One day they came to select
a new guinea pig from among the prisoners.

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He was the man whose story we are telling.

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He was frightened.

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He had heard about the Head Experimenter.

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He was prepared to meet
Dr. Frankenstein, or the Mad Scientist.

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Instead, he met a reasonable man
who explained calmly

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that the human race was doomed.

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Space was off-limits.

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The only hope for survival lay in Time.

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A loophole in Time,
and then maybe it would be possible to reach food,

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me
[...]
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