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We really must try
and broaden your horizons a little.

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Some of these pieces are
terribly revealing.

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For instance,
what do you make of thatΠ

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I do not know what to make of it,
Madame Oliver.

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Not symmetrical enough for youΠ

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Oh, look. It's Mr Shaitana.

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What is heΠ An ArmenianΠ

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A GreekΠ

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No-one knows. All that is known is that
he is one of the richest men in London.

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He gives me the jitters.

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Mind if I make myself scarceΠ

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Non. Comme vous voulez, madame.

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My dear Monsieur Poirot.

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Monsieur Shaitana, good day.

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How nice to see you.

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Not hanging or
guillotining much at presentΠ

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Is it off season for the criminals
or is our little gallery about to be robbedΠ

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No, alas, monsieur, non, non.

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I am here purely in my private capacity.

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But I see that you yourself
have lent a few piecesΠ

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Oh, one picks up trifles here and there.

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I have a few interesting objects
I could show you.

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I dare say I could even produce
one or two things in your line, Poirot.

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Ah, so you have then
your private Black MuseumΠ

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Oh, no, no, no.

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I don't collect the artefacts of crime-
the murderer's hammer, the poisoner's cup.

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I collect only the finest objects
of their kind.

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And what do you consider to be the finest
objects - artistically speaking - in crimeΠ

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Why, the human beings
who commit them, monsieur.

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It is modelled on the Alhambra.

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In PontefractΠ

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In Spain.

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Oh, I thought you meant the picture house.
Sorry.

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Monsieur Hercule Poirot.

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My dear Monsieur PoirotΞ

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Come in, come inΞ

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How simply divine to see you.

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Monsieur Shaitana.

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I don't know if you know
the famous Mrs Oliver.

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Yes, of course I do.

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- Enchant, madame.
- Hello, Poirot.

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I did not realise you accepted
these kinds of invitation, madame.

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Oh, well, Mr Shaitana can be
awfully persuasive.

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We met
[...]
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