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I think that was the difference
with the '60s...

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is that people didn't care
to explain themselves.

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If people didn't get it, they weren't invited.

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The last chance you had to shock people
just by the way you looked...

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just by the way you were.

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You didn't even have to think about it,
or work at it at all.

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You could just walk down the street,
and people go, "Oh, my God."

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That was fun.

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Marty just asked, "Hey, do you wanna
start a band?" to a total stranger.

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I said, "Sure."
Seemed to be the thing to do at the time.

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Here music is blaring forth
from the open windows...

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of an apartment on the corner
of Haight and Ashbury.

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While in the street below, a crowd
of hippies celebrates the sunny day.

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Traffic stops. The crowd grows.

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Finally, the police roll in
with paddy wagons and nightsticks.

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We were much too busy
being in the middle of the '60s...

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to wonder, even to this day,
why San Francisco?

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San Francisco's always been
a border town, borderland kind of town...

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where all the strange people
come to do strange things.

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Stranger than most things.

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Drugs, social experimentation,
sexual experimentation...

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anti-authoritarian,
if you will, experimentation.

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It was antiestablishment.

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It was the first
openly antiestablishment musical scene.

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There really was no audience,
you know, to speak of.

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There was no
entertainer-entertained thing.

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Everybody was entertaining.
Everything there was entertaining.

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Every event, everything that happened
was entertaining.

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The experience was communal
in the sense that...

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Santana, the Grateful Dead,
Big Brother & the Holding Company...

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We played many gigs together,
benefits, strange gatherings...

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of what they call '"the tribes '"
for lack of a better word.

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It was very pagan,
and a celebration of human events.

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It was a celebration
of humanity around you...

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enjoying the people that you were with
to the nth degree...

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enjoying the herbs and vegetables

[...]
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