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In London, in 1975...

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there was a sense
of the whole city winding down.

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No investment. No hope.

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Just a city in decay and a city collapsing.

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It's like a wasteland with, just, nothing.

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We had energy.
We wanted to go somewhere.

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We wanted to do something.
There was nothing to do. Nowhere to go.

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So you just kind of circle around...

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walking underneath
those housing developments, projects...

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and concrete, soulless places
where there's nothing.

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A sort of hopelessness.

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But we had hope, in a sea of hopelessness.

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It was a very, very squalid period.

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Massive unemployment.
Absolutely no hope.

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Class warfare rampant.

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Quite literally no future.

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I wrote my own future.

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I had to. It was the only way out.

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The story of punk really begins
with lggy Pop.

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He was authentic.

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That's the problem with rock 'n'roll...

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that there's not many
really authentic madmen in it.

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I hated school...

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I hated being confined in office clothes.

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I hated the guys in the fraternities
around the college campus...

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where I lived.

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I just hated the whole American dream.

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Iggy took the whole ethos
of the beat writer...

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and made it applicable to modern music.

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People would lay him side by side
with Jim Morrison.

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I don't think that's quite fair...

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because I think Morrison came
from much more of a European mentality...

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where lggy was so totally American,
so totally Midwest.

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Did the music of Detroit
have much of an effect on your music?

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The industrialism in Detroit...

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what I heard wandering around was...

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- There are 10 cars, and so on and so forth.
- Sure.

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I get a lot of my influence
from the electric shavers...

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- It's true.
- But it's funny how those sounds...

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you don't realize how they sound.

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What did you do
to those nice people out there?

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[...]
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