Preview Subtitle for Barefoot Contessa


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When you spend most of
your life in one profession


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you develop what could be called
an occupational point of view


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So maybe I can be forgiven

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for the first thing I
thought of that morning


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Because I found myself thinking that

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the staging and the setting

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even the lighting of Maria's funeral

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were just what she would have wanted

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My name is Harry Dawes

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I've been a writer
and director of movies


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for longer than I like to remember

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I go way back: back
to when the movies


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had two dimensions,
and one dimension


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and sometimes no dimension at all

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I wrote and directed all three
of the movies Maria D'Amata was in


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Her short, full career,
from start to finish


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I wrote it and directed it

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On the screen, that is

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What was I doing there?

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The Fates or the Furies

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or whoever wrote and
directed her short, full life


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they took care of that

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Anyway, there I stood

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halfway around the world
from Hollywood and Vine


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in a little graveyard
near Rapallo, Italy


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watching them bury the
Contessa Torlato-Favrini


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in ground she'd never
heard of six months ago


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with a stone statue to mark the spot

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Life, every now and then, behaves

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as if it had seen
too many bad movies


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When everything fits too well:

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The beginning, the
middle and the end


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from fade-in to fade-out

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And where I faded in,
the contessa was not a contessa


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She was not even a movie
star named Maria D'Amata


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Where I faded in,
her name was Maria Vargas


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and she danced in a
nightclub in Madrid, Spain


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Ol!

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Ol!

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And so, once upon a time, three
years ago, we came to Madrid


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to a not very fashionable
nightclub, to see Maria Vargas dance


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[...]
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